Wednesday, January 31, 2018

The Binary Bovine

Happy new year! Here is my first painting of 2018 I finished recently.

This painting was inspired by learning more about the history of domesticated cattle.

Two of the three biggest economies in the world (the United States and India), have cattle derivatives infused in their diets in opposing ways. India is the country with the most populous vegetarians, who flex Lacto-vegetarianism (dairy products are nourished, but not eggs or meat). In the United States (the second most meat consuming country in the world), both dairy and the animal itself are also eaten. 

What struck me was the contrasting treatment of the animal between these two cultures: while one has chosen to praise the animal for the gifts it's brought humanity, the other has chosen to enslave it.

Agriculture is the very thing that has allowed human beings to no longer be nomadic.  (Some Environmentalists would say that was the beginning of the end.) An omnivorous diet has long been customary to human existence and livestock practices were adopted shortly thereafter. So while consuming meat has historic longevity, it's a fastidious topic because the efforts required to satisfy our demand for it now are compromising our environment.    

 The cow apparition denotes the often incarcerated reality of the animal. The markings on the cow, common on North American breeds, take the form of the world's landmasses representing our global rapacious appetite for beef. 

Clarabelle cow in the image is dressed as a Hindu deity and represents an ahimsa path. In her upper left hand she holds a bitter melon and her other left hand retains mustard flower (common ingredients in Indian cuisine). 

General Mills' Hamburger Helper mascot arrives with no garment to revealing his raw meat appearance. He wields a devilish prong force feeding his hamburger itinerary. 

The popular burger chain mascot, Big Boy, sits under a shadow of fear at the sight of the ghostly cow above while undecided on the two paths he has been presented with. 

'The Binary Bovine'
acrylic on masonite
13.75" x 21.75" (19.25" x 27.25" including frame)
$ Available! (Contact me if you are interested)

Saturday, December 16, 2017

'Parade of Imbeciles' - final reveal!

'Parade of Imbeciles', acrylic on wood panel, 36"x24" (40"x28" including the frame)

Unlike real life Homers such as NASA engineer, Homer Hickam, activist, Homer Plessy, or much further back, Homer, the great Greek author and poet of The Illiad; the fictional cartoon character, Homer Simpson, is not readily associated with wisdom. His mental alertness is quite the opposite. (Attributing that, along with his massive pop culture notoriety, it is no wonder there have been few males born named 'Homer' since the animated family's 1987 television debut.)

However, there is a moment where he spouted something quite profound on an episode of THE SIMPSON'S I will always remember. It is an episode in season 2 called 'Dead Putting Society'. To feel better than his well liked neighbor and rival, Ned Flanders,  Homer trains his son, Bart, to win a mini golf tournament against Ned's son, Todd, to so he can feel superior than Ned. When prompted by his wife, Marge, about how serious he's taking Bart's training, he proclaims:

"Because sometimes  the only way you can feel good about yourself is by making someone else look bad. And I'm tired of making other people feel good about themselves."

In his moment of fleeting wisdom, he unearthed something fundamentally human: it is empowering to feel better than others. This mindset is still adopted by many today when we disparage someone widely known to behave stupidly in an effort to feel superior and bond with others over the fact that we're not stupid.

Thus, the primary function of cartoon characters is to make us feel better about ourselves. Since cartoon characters don't actually exist, they are permissible and ideal targets of ridicule. This is a form of vicarious living. Seeing characters perform unintelligent acts that would be fun to participate in, without us having to live with compromised egos. (Albeit, if you do take things to the extreme, you can always posthumously earn yourself a Darwin award. An esteem for individuals who inadvertently lose their lives from acts of stupidity.) A cartoon characters actions, however outlandish, are inspired by reality. A reality inhabited by people. People do stupid things, but it's inaccurate to call someone stupid because nobody is stupid 100% of the time. Yet, everyone is inept at something. The idea of combining so many cartoon characters designed for stupor into a united visual felt like something I needed to tackle. In the world we reside in today, the theme seems increasingly relevant.

The word imbecile belongs to a classification system of grading intelligence. On the scale, the word ranks second last. 'Idiot' being the lowest possible entry. A new born baby, with it's insufficient comprehension, is technically an idiot by this measure. These classifications have become derogatory over time. The offense occurs when you feel authorized to treat people immorally who fit into lower cognitive levels than you. I remember having a conversation with my Mother, who works with special needs children, if she thought the Disney Dwarf, Dopey, was an exploitation on the mentally challenged community. (His very name - the only one he's ever referred to - is pejorative.)  Individuals in this demographic certainly do not exist for the objective as comedic marks, but such an idea would have been more permissible during the film's contemporary release.

As we can see in the image, the characters are marching along towards an unknown mecca. In the distance looms a great storm that is making contact with a satellite dish on a perilous hilltop. The satellite dish represents the global reach of the internet and how frequently, the most widely shared content is delegated to the realm of stupor.  Solemn empathy does not enjoy the same scalable growth on the internet the way trivial videos of dancing cats do. Is that stupidity, displaced priorities, or both?

 A cartoon character's itinerary offer us instant gratification because their actions don't require explaining. We have the ability to think and exist in a world of increasing complexity. Perhaps we're searching for things to be simpler so we don't exhaust ourselves. Our cognitive energy is finite and must be recovered. Enjoying "stupid" material allows us to not expend so much of it and feel superior in the process.

A 'messiah' of sorts accompanies this cartoon formation via a parade balloon modeled after the mascot from the popular 'FOR DUMMIES' book series which simplify innumerable topics. Each character has also brought along an object with them on this trek to serve their disposition. (Some notable props include a hydrogen bomb, an old television, a protest sign forbidding thinking and a whoopee cushion.) As they march en masse, I'm reminded of a quote by mastermind comedian, George Carlin:

"Never underestimate the power of stupid people in large groups."  

The distant storm and eerie green atmosphere underscores this foreboding danger. What may seem innocent and harmless singularly, becomes collectively dangerous.  

I am a painter and what that means is I create images predominantly using the medium of paint. The objective of an image is to make you remember that you have seen it. If this image has communicated with another human, that is a success. I spend a large portion of my time trying to comprehend human nature. There is lots I still don't understand, but my bewilderment in the matter has provided me with an endless stream of ideas for paintings. Either way, the march continues. Now if you'll excuse me, I have a parade to attend to.

-Jono Doiron

Montreal, October 2017

Like this?? STILL want to know more??

Why not pick up one of the few remaining copies of the book to see the entire process of the painting from start to finish?

Pick up your signed copy here!

Friday, September 29, 2017

Chaotic Utopia Magazine

Online art publication, Chaotic Utopian Mag published an interview with me about the themes and influence of my art. Thanks for the kind words! You can read the interview here: 

Wednesday, September 20, 2017

A Tex Avery tribute

Animation director, Tex Avery (1901-1980), is, has been, and always will be one of my strongest influences. His contribution to the animation art form is undeniable and he is credited as the second most influential animation director, after of course Walt Disney.  His cartoons present a level of hysteria greatly imitated, but yet to be paralleled (in my opinion). Two notable feature films that pay tribute to his legacy are 'Who Framed Roger Rabbit' (1988) and 'The Mask' (1994). 

After infusing his brand of humor into the Looney Tunes lexicon at Warner Brothers, he relocated to MGM where he really let loose.  This painting is influenced by some of his cartoons from this period (such as the Wolf & Red cartoons, 'Red Hot Riding Hood' (1943), 'Swing Shift Cinderella' (1945), 'Little Rural Riding Hood' (1949) and also features the characters Droopy and the Cop from 'Who Killed Who?' (1943)).

The Wolf (Avery never gave him an official name) and his lustful, ogling, chasing, harassing, kidnapping and overall violations of consent ways, are behavioral traits that will get you arrested in the real world pretty quickly. In the cartoons, the Wolf is the personification of unrestrained lust and here he has met his due consequences. (Sobering, isn't it?*)      

To be honest, there was some ambivalence on my end if I should paint this image. I comprehend some women experience harassment on a frequent basis and I'm not insinuating their unwanted receptions are comedic. There are also places in the world where variations of abuse are still not met with any lawful intervention. Yet, I'm compelled to share images that highlight my influences and that doesn't always involve generic paintings locked in an unobtrusive realm. With serious topics, my concern is always the line between addressing and exploiting. How did I do? You tell me.

For one week every September, Ottawa, Ontario, Canada, becomes the center of the animation world with the Ottawa InternationalAnimation Festival (this year, September 20-24). The painting is for an art show unofficially aligned with the festival, celebrating Saturday morning cartoons and animation love! Big thanks to Joel MacKenzie and the team at JamFilled for putting the exhibition together! You can see all the works in person at Oz Kafe starting TONIGHT, Wednesday, September 20th. The show will remain up for a month. Click here for the facebook event info.

'Taming The Wolf'
acrylic on wood panel
10"x8" (image)
11.75"x9.75" (including frame)
$ Look, you work hard and you deserve to celebrate your life with original art that speaks to you. If this painting appeals to your tastes, contact me, and we'll bring it into alignment for you. Acquiring art doesn't have to be complicated.

*Also an Avery reference. In many of his cartoons, he would embed signs that spoke directly to the audience such as: 'Spooky, isn't it?', 'Noisy, isn't it?', 'Exciting, isn't it?'...

Thursday, September 14, 2017

Animation art show in Ottawa next week

If you live in or will be visiting Ottawa next week, join us for Cerealism - The Saturday Morning Cartoon Art Show! Featuring original works for sale by top animation artists! The event is organized by Jam Filled animation studio and will serve as the unofficial kick off party to the Ottawa International Animation Festival. The opening fun is happening next Wednesday September 20th at Oz Kafe

Thursday, July 20, 2017

What do you call it?

Ever wonder how I come up with titles for my paintings? This is a method I use when I am stuck that may help you as well.

Do you like to read outside this time of year? I do. (In fact I went to the park, and did some reading today.)

It got me thinking: what's in a title?

Saturday, May 13, 2017

detailed new painting + exclusive art book + exhibition

My Indiegogo campaign is NOW LIVE! Click here for more info!

Want to get involved in my painting process and see my new large detailed painting get created from start to finish? Want an exclusive copy of a new book that will show all the states of the process? Want to attend an exhibit where you can see all the work in person?

Click here to find out all the details!

Monday, March 20, 2017

Till The End - the reveal

So here at last - in it's entirety - is the final acrylic painting 'Till The End'. If you made it to The Artist Project art fair in Toronto, you would have gotten to see this piece in person. Of all the original works in my booth - this one was by far the most popular painting.


The idea for this painting was inspired by a documentary I saw about the ecosystem Big Cypress National Preserve ('Big Cypress Swamp: The Western Everglades', 2009, directed by Elam Stolzfus). Though I have yet to visit in person, it's visuals lingered in my mind as such a mystical place. I wanted to convey that mood as well as nod to the documentary's conservation efforts (it has been declared as a National Preserve since 1974). The painting serves as a cumulative environmental parable.

The central figure is Kermit the frog, (who most closely resembles a Green Tree Frog, a native species of the swamp) is depicted as a sage in the image who has sworn to protect his habitat. I chose a frog because according to National Park Service: "Amphibians tend to be highly sensitive to environmental changes, for that reason scientists often use them to determine the overall health of an area." He holds a book labeled 'nisi' - the Latin word for 'unless'. It is a reference to my favorite Dr. Seuss book, 'The Lorax' (the celestial character appearing in the smoke) and law. In law, a decree nisi, a ruling that will become absolute unless evidence is presented as to why it should not pass prior to a certain date. (

The title is borrowed from the Yann Tiersen song of the same name from his 2010 'Dust Lane' album (listen to it while looking at the painting for best impact). 

Amazingly, the original painting is still available! Contact me if you're interested.

'Till The End'
acrylic on masonite
22.25"x19.25" (including frame)
$ for sale

Tuesday, February 07, 2017

In need of a Crazy Minute? I am.

So how are you feeling today? Superb? Or just a shade above normal? Perhaps what you need is a crazy minute! 

'Awaiting Crazy Minute', acylic on masonite, 13"x14.5" (including frame)

An aid to getting through the lesser fun parts of life is spending time being silly.

Years ago, I created such a silly break with my youngest sister (who was much younger at the time) called 'crazy minute'. Crazy minute is the last minute of every hour (9:59, 10:59, 11:59, etc...). At every crazy minute, you would do a dance, wave your arms up, do gymnastics, or some enthusiastic variation over the next 60 seconds to recuperate your energy. 

Visually, the panting is made to look tranquil with lighting based on the late afternoon sun beaming in. Typically, it is a lazy time of the day when there's still work to be done and less interesting things seem to happen. Cuckoo clocks are quiet until every minute of the new hour when the silence is abruptly broken. And that is the whole point of crazy minute - it's meant to disrupt stagnancy.

Have tickets to the art fair yet?? If not, click here or the image above to receive a discount on regular admission tickets.  

See you in  just over 2 weeks! Stay creative,

Wednesday, January 25, 2017


Wow! The Artist Project art fair I've been preparing for in Toronto is now less than a month away! I hope you are planning to come. (If you still don't have tickets yet, click the header image above for a discount on regular admission tickets.) 

I want to share another painting I did for the upcoming event with you:

                                           Huckleberries, acrylic on masonite,
                                    8"x10" (image) 13.5"x15.5" (including frame) 

There is a George Carlin routine where he talks about how there is no blue food that isn't naturally occurring. (And YES, he mentions blueberries aren't actually blue. Well, yes & no: they appear blue before consumption, but once you put them in a recipe they turn a distinct purple or a lavender color.) Huckleberry Hound is blue (cyan if you want to be specific), and not actually the same color as huckleberries. I think of blue food as some sort of mythical treat said to exist, but no-one has ever seen or tasted... 

You probably wouldn't have believed me, but the customized ornate frame came after I already completed the painting! 

The frame directly above was the first frame I put it in. I customized it and it did suit the job, but later on I came across the other frame with the berry motif. It was PERFECT - as if it was made for that painting! 

I removed it from the previous frame - after it had already been mounted and everything. I thought it would be cool to show you the difference. Can't wait to show you the painting in person!  

See you next month! Stay creative,


Tuesday, January 17, 2017

Taking responsibility

Here is the final painting of 'Responsibility'. (I finished it up before the end of the year, but had to wait after the holiday to get it scanned.) 

'Responsibility'acrylic on wood panel, 12"x16" (framed)

The subject matter of this painting was inspired by a quote from neurologist and psychiatrist, Dr. Viktor Frankl: 

"Freedom, however, is not the last word. Freedom is only part of the story and half of the truth. Freedom is but the negative aspect of the whole phenomenon whose positive aspect is responsibleness. In fact, freedom is in danger of degenerating into mere arbitrariness unless it is lived in terms of responsibleness. That is why I recommend that the Statue of Liberty on the East Coast be supplemented by a Statue of Responsibility on the West Coast." 

Viktor Frankl was also the founder of logotherapy - a theory holding the belief that human nature is motivated by the search for a life purpose. -

The Peter Pan statue in the painting (which mirrors the poise of the Statue of Liberty) holds a story book (instead of a tablet) that reads 'PUER AETERNUS' - Latin for 'Eternal Boy'. This is also a term in psychology to describe an individual (mostly attributed to adult males, but not necessarily gender specific) who has remained socially immature. -

The more we age, the more responsibilities we inherit. When I think about the fictional character, Peter Pan, I see him as synonymous with irresponsibly in his efforts to protest adulthood due to his residence in a fantasy land where he never ages. This disdain would also counter Frankl's logotherapy theory as one can not learn what our purpose is if we do not give ourselves an opportunity to discover what we can become. The spiraling galleon on the right has sailed from Neverland only to go out of control with the crew's inability to navigate in a world with accountability. 

The painting will be for sale next month at Toronto's 2017
The Artist Project art fair

Sunday, January 01, 2017

Happy New Year!

Happy 2017! I hope you and your friends had a wonderful holiday.

I've had a very productive year (2016) and have made what I feel are some of my best paintings to date. (All the images above are new paintings that were made this year. Since it's 2016, I thought I'd do a recap of the best 16 images.) While I do receive a lot of enjoyment in creating art, I retain equal enjoyment in seeing the response my work has on others. Making images is a way I've chosen to communicate with individuals and I'm honored that you're one of them. 

I look forward to sharing more new art with you this year and hope you will join me in February for the 2017 The Artist Project in Toronto.


Monday, December 05, 2016

Reward & Punishment

Take a quick moment and think about a work of art you've really enjoyed. (Got one? It can be a painting, a movie, a play, a song, or something else you can think of.)

Now that you can think of an example, there was a tremendous amount of work before it got to the version you experienced.

Indeed, every work of art you've ever enjoyed is a cumulative effort of thousands of decisions. 

Just like life.

Not a new concept, but it did inspire the idea for a new painting. Take a look:

So, if your life is made of your decisions, how do you make the ones that are in your best interest? 
Well, if you imagine there is two wolves at your side: one representing procrastination, the other representing productivity, and at all times you're feeding one... which one are you feeding?

The painting also has the 'carrot or the stick' alegory embedded into it. Are you motivated by gaining rewards or avoiding punishments? 

In my version, the wolves have been fused together because, although they might fight, only one decision will be made at a time.   

Parables and antonyms are reoccurring subject matter in my work. The painting above, titled 'Reward & Punishment' is just one of the new pieces I've been working on for The Artist Project 2017. I can't wait to show you other works available when you come to the event!

In the meantime, if you would like to check out originals that are for sale, you can see a selection here.

Stay creative,


Friday, September 30, 2016

The Rainbow Salesman

I was thinking about all the opportunistic umbrella salesman who appear - seemingly out of nowhere - to dispense their inventory at the sight of rain. But what about the rainbows? You didn't think they got there by themselves, did you? Enter 'The Rainbow Co.' who deploy their salespeople to rain swept communities desiring post rain atmospheric aesthetics. LOOK at that smug smile, double bounce strut and go-get-em attitude! Where some people see rain drops, HE SEES dollar signs! Now get out there 'an sell!
'The Rainbow Salesman'
acrylic on wood panel
$ for sale

Tuesday, September 20, 2016

The Memory Thief - wood panel print pre-order

Back in August, I revealed a new painting I completed for Gallery Abyss' 12x12 group exhibition, that has touched the lives of many people. It's been humbling to hear from others how something I created has connected with them in such a strong emotional way. That has been a primordial goal with my art. 

That painting is called 'The Memory Thief'.

While the original painting did sell opening night in the exhibit, because I've had such a strong interest in the image, I wanted to find a way to offer it to people who truly identified with it. 

The company, prints on wood, transfers artwork, photos and imagery to wood panels. Some very in demand contemporary artists have printed with them in the past.

"Why a print on wood?"

-more durable
-no need to spend additional funds on framing
-the original is acrylic on wood panel, so you get a reproduction and product much closer to the original
-each print is transfered to a real piece of wood, so no two are exactly the same
-it's unique and different than canvas, giclee or poster prints

But it wasn't enough for me to just make the image available to you...

Due to the sensitive content in the painting, I wanted to support the cause too. That's why a portion of each order (10%) will be donated directly to the Alzheimer Society of Canada, the leading not-for-profit health organization working nationwide to improve the quality of life for Canadians affected with Alzheimer's disease.

You can order your print here. The amount listed includes shipping for both US and Canadian residents.

This limited edition wood panel print is only available until September 27th. After that - reproductions of this image will NEVER be available again!

Click here to order your print.

Keep creating memories,


Saturday, September 17, 2016

Till The End - gestures

I collected all kinds of photos of individuals walking with drapery and canes as reference for a painting I'm working on ('Till The End'). I looked at all the photos and did some quick gestures to figure out where the weight and major fabric folds are. It was a also a great warm up before I started the drawing the central character in the image. Each drawing above was completed in about 30 - 60 seconds. 

Want to see more of the process? click here

Sunday, September 11, 2016

I'm on Patreon!

Well, after having thought about it for a while and trying to come up with a way I can make it work... I'm officially on Patreon.

What IS Patreon you ask? Good thing they made this handy video, it's about to come in handy.

So now you know. But what am I offering YOU in return? 

Instead of the "Here it is, what do ya think?" presentation I do once paintings are completed, I want you to join me DURING the creation! 

Through Patreon's subscriber-only posts, I will be sharing my ENTIRE process with you  - step by step - as I complete each image! (A process which one of my artist friends referred to as "EXTENSIVE".) AND - you can ask me direct questions about the process. I will answer everything - right down to where the lead is harvested in the pencils I use! 

I have some rewards in place for you on the right hand side that I not only think you'll enjoy, but will allow me to get to know you too! Know that whatever amount* you choose to pledge will directly assist me with more time in the studio creating art that you love.

Monday, September 05, 2016

Goofy painting

A-huk! It's a GOOFY painting! Another painting study I did, this time of a small Goofy sculpture observing overcast lighting conditions (indoors). Note that there are minimal highlights and no deep shadows.   

Seriously, who doesn't love Goofy? I wouldn't trust the person who says they dislike Goofy. If I was conducting a job interview and it came up they didn't like Goofy, I would dismiss them and shred their resume. And since we've established all mentally balanced people love Goofy, the next logical step is for you to add this painting to yourGoofy-loving-shrine-goodness! (Did I mention FREE shipping on the painting studies to US and Canada? A-huk!)  

Monday, August 29, 2016

Till The End - thumbnails

Some thumbnail studies of a new painting in the works called 'Till The End' drawn on my animation disc. I pretty much know the composition I want now. The next step is to scale it up and start refining it. 

Saturday, August 27, 2016

The Artist Project 2017 - painting list

Continuing on with The Artist Project 2017 preparation: compiled list of major paintings I want to complete for it. Looking forward to sharing these with you!

If you would like to know more about The Artist Project, art fair in Toronto, you are an artist and would like to apply for the the 2017 event (it is a juried exhibit), there is still time. The deadline is September 15th.

Friday, August 26, 2016

Why are YOU ignoring art galleries?

Great article by The Stranger interviewing and tracing the reasoning behind lack of (most) gallery's attendance. As an artist, this is a topic I've been battling for years. You can read the article here. 

For those of you in Montreal (the city I reside in) who want to explore galleries, here is a great start compiled by Montreal Gazette.